Graphic Design Level-3 Suggestion V-10

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Graphic Design level-3 Suggestion V-10

Salahuddin Sir

MD. SALAHUDDIN
CSE, BUBT
In-Charge (Graphic Design)
Instructor
Bangladesh-German Technical Training Center
Mirpur-2, Dhaka-1216

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Created by Job Edu BD

Graphic Design Level-3, Vol-10

এই পরীক্ষাটি শুধুমাত্র Level পরীক্ষায় নিজেকে ভালো নম্বরে উর্ত্তীন করার চেষ্টা মাত্র। এখানে ভালো নম্বর পাওয়ার দ্বারা আপনার আত্নবিশ্বাস উন্নয়নে কাজ করবে। পরীক্ষা খারাপ হলে প্রশ্নোত্তর গুলো পূনরায় পড়ে আবার চেষ্টা করার অনুরোধ রইল।

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1. Which of the following options is NOT a valid blending mode in Adobe Illustrator CC (2017)?

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2. Which of the following tools is used to cut objects along a freehand path drawn with it, and to divide objects into component-filled faces?

3 / 30

3. In Adobe Illustrator CC (2017), which of the following keyboard shortcuts is used to switch through drawing modes?

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4. Drop Shadow, inner Glow and Bevel are the examples of ......... you need to use with text.

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5. Which of the following color modes is also called subtractive colors?

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6. Which of the following options is a new feature introduced in Adobe Illustrator CC 2017 that puts text inside any path/shape?

7 / 30

7. Adobe Illustrator CC (2017) is a/an _____ graphics application.

  1.  raster-based
  2.  animation-based
  3.  vector-based
  4.  None of the above.

8 / 30

8. Which of the following tools would be used to edit a line?

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9. In Adobe Illustrator CC (2017), all object transformations are performed around a fixed point called the:

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10. Which of the following color modes is also called additive colors?

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11. _____ artwork is connected to, but remains independent of. the document and results in a smaller document. But, _____ artwork is copied into the document at full resolution and results into a larger document.

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12. In Adobe Illustrator CC (2017), which of the following panels allows you to change the options for the blending mode?

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13. How many Color Modes are there in Photoshop?

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14. Which mask use for Alignment?

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15. While working in Adobe Illustrator CC (2017), which of the following keyboard shortcuts is used to open the OpenType panel?

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16. In order to make a clipping mask in Adobe Illustrator CC (2017), which of the following keyboard shortcuts is used?

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17. Which of the following methods should be used to fix a blurry image.

18 / 30

18. The icon shown in the image represents which of the given tools?

19 / 30

19. Which of the following tool use to less the direction line from an anchor point with direction line?

20 / 30

20. The two overlapping boxes at the bottom of the Adobe Illustrator toolbox control

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21. Illustrator is a _________-based program.

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22. Which of the following options can be used to select anchor points in Adobe Illustrator CC (2017)?

23 / 30

23. In Adobe Illustrator CC (2017), which of the following options is/are available while selecting a template for a new document?

24 / 30

24. Which command in Adobe Photoshop allows you to apply various artistic effects to an image?

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25. Which feature in Adobe Photoshop allows users to quickly access and apply predefined color combinations?

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26. In Adobe Illustrator CC (2017). which of the following keyboard shortcuts is used for deselecting the selected objects?

27 / 30

27. Which tool create vector in Photoshop?

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28. In Adobe Illustrator CC (2017), the features listed below do not work on an entire Live Paint group, except for:

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29. Which of the following options is an Adobe Illustrator CC (2017) feature that is used to convert and save vector graphics into bitmap files?

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30. Which of the following statements is/are true about creating a clipping mask?

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Graphic Design Level-3 Suggestion V-3
"You will pass just by asking the mentioned questions, it's not like that at all, but chances are upto 80% to get common. This is just a suggestion. This question is not copied from any board question"
Related Post

Graphic design is a profession,[2] academic discipline[3][4][5] and applied art whose activity consists in projecting visual communications intended to transmit specific messages to social groups, with specific objectives.[6] Graphic design is an interdisciplinary branch of design[1] and of the fine arts. Its practice involves creativity, innovation and lateral thinking using manual or digital tools, where it is usual to use text and graphics to communicate visually.

The role of the graphic designer in the communication process is that of the encoder or interpreter of the message. They work on the interpretation, ordering, and presentation of visual messages. Usually, graphic design uses the aesthetics of typography and the compositional arrangement of the text, ornamentation, and imagery to convey ideas, feelings, and attitudes beyond what language alone expresses. The design work can be based on a customer’s demand, a demand that ends up being established linguistically, either orally or in writing, that is, that graphic design transforms a linguistic message into a graphic manifestation.[7]

Graphic design has, as a field of application, different areas of knowledge focused on any visual communication system. For example, it can be applied in advertising strategies, or it can also be applied in the aviation world[8] or space exploration.[9][10] In this sense, in some countries graphic design is related as only associated with the production of sketches and drawings, this is incorrect, since visual communication is a small part of a huge range of types and classes where it can be applied.
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Graphic design has, as a field of application, different areas of knowledge focused on any visual communication system. For example, it can be applied in advertising strategies, or it can also be applied in the aviation world[8] or space exploration.[9][10] In this sense, in some countries graphic design is related as only associated with the production of sketches and drawings, this is incorrect, since visual communication is a small part of a huge range of types and classes where it can be applied.

With origins in Antiquity and the Middle Ages,[11] graphic design as applied art was initially linked to the boom of the rise of printing in Europe in the 15th century and the growth of consumer culture in the Industrial Revolution. From there it emerged as a distinct profession in the West, closely associated with advertising in the 19th century[12] and its evolution allowed its consolidation in the 20th century. Given the rapid and massive growth in information exchange today, the demand for experienced designers is greater than ever, particularly because of the development of new technologies and the need to pay attention to human factors beyond the competence of the engineers who develop them.[13]

History: In both its lengthy history and in the relatively recent explosion of visual communication in the 20th and 21st centuries, the distinction between advertising, art, graphic design and fine art has disappeared. They share many elements, theories, principles, practices, languages and sometimes the same benefactor or client. In advertising, the ultimate objective is the sale of goods and services. In graphic design, “the essence is to give order to information, form to ideas, expression, and feeling to artifacts that document the human experience.”[17]

The definition of the graphic designer profession is relatively recent concerning its preparation, activity, and objectives. Although there is no consensus on an exact date when graphic design emerged, some date it back to the Interwar period. Others understand that it began to be identified as such by the late 19th century.[11]

It can be argued that graphic communications with specific purposes have their origins in Paleolithic cave paintings and the birth of written language in the third millennium BCE. However, the differences in working methods, auxiliary sciences, and required training are such that it is not possible to clearly identify the current graphic designer with prehistoric man, the 15th-century xylographer, or the lithographer of 1890.

The diversity of opinions stems from some considering any graphic manifestation as a product of graphic design, while others only recognize those that arise as a result of the application of an industrial production model—visual manifestations that have been “projected” to address various needs: productive, symbolic, ergonomic, contextual, among others.

Nevertheless, the evolution of graphic design as a practice and profession has been closely linked to technological innovations, social needs, and the visual imagination of professionals.[18] Graphic design has been practiced in various forms throughout history; in fact, good examples of graphic design date back to manuscripts from ancient China, Egypt, and Greece. As printing and book production developed in the 15th century, advances in graphic design continued over the subsequent centuries, with composers or typographers often designing pages according to established type.[11]

By the late 19th century, graphic design emerged as a distinct profession in the West, partly due to the process of labor specialization that occurred there and partly due to the new technologies and business possibilities brought about by the Industrial Revolution. New production methods led to the separation of the design of a communication medium (such as a poster) from its actual production. Increasingly, throughout the 19th and early 20th centuries, advertising agencies, book publishers, and magazines hired art directors who organized all visual elements of communication and integrated them into a harmonious whole, creating an expression appropriate to the content. In 1922, typographer William A. Dwiggins coined the term graphic design to identify the emerging field.[11]

Throughout the 20th century, the technology available to designers continued to advance rapidly, as did the artistic and commercial possibilities of design. The profession expanded greatly, and graphic designers created, among other things, magazine pages, book covers, posters, CD covers, postage stamps, packaging, brands, signs, advertisements, kinetic titles for TV programs and movies, and websites. By the early 21st century, graphic design had become a global profession as advanced technology and industry spread worldwide.[11]

Graphic design can have many applications, from road signs to technical schematics and reference manuals. It is often used in branding products and elements of company identity such as logos, colors, packaging, labelling and text.

From scientific journals to news reporting, the presentation of opinions and facts is often improved with graphics and thoughtful compositions of visual information – known as information design. With the advent of the web, information designers with experience in interactive tools are increasingly used to illustrate the background to news stories. Information design can include Data and information visualization, which involves using programs to interpret and form data into a visually compelling presentation, and can be tied in with information graphics. 

Skill: A graphic design project may involve the creative presentation of existing text, ornament, and images.

The “process school” is concerned with communication; it highlights the channels and media through which messages are transmitted and by which senders and receivers encode and decode these messages. The semiotic school treats a message as a construction of signs which through interaction with receivers, produces meaning; communication as an agent.[citation needed]

Typography

Typography includes type design, modifying type glyphs and arranging type. Type glyphs (characters) are created and modified using illustration techniques. Type arrangement is the selection of typefaces, point size, tracking (the space between all characters used), kerning (the space between two specific characters) and leading (line spacing).

Typography is performed by typesetters, compositors, typographers, graphic artists, art directors, and clerical workers. Until the digital age, typography was a specialized occupation. Certain fonts communicate or resemble stereotypical notions. For example, the 1942 Report is a font which types text akin to a typewriter or a vintage report.[36]

 

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